Wolfe's Blog
kingofwing:

heyfunniest:

Pokemon irl 

Oh world why must you toy with me, Why can’t I have this?

kingofwing:

heyfunniest:

Pokemon irl 

Oh world why must you toy with me, Why can’t I have this?

beccadrawsstuff:

It was then that he knew what he had to do

He had to stop all the ghosts that were comin’ through

He’s here to fight for me and you!

Happy tenth anniversary to Danny Phantom!!

lalondes:

mikasa ackerman destroying cisnormativity

theatlantic:

The Quiet Radicalism of All That

The ’90s were golden years for Nickelodeon. The children’s cable television network was home to now cult-classic shows like Are You Afraid of the Dark? (1991-2000), Clarissa Explains It All (1991-’94), The Secret Life of Alex Mack (1994-’98), and Salute Your Shorts (1991-’92)—arguably heretofore unmatched in their clever, un-condescending approach to entertaining young people. Nick News with Linda Ellerbee launched in 1992, and remains to this day one of the only shows on-air devoted to frank, engaging discussions of teen issues and opinions.
But perhaps the program that best embodied the values of Nick in those years was All That, a sketch-comedy show that premiered 20 years ago today. Created by Brian Robbins and Mike Tollin, All That ran for an impressive 10 seasons before it was canceled in 2005. The prolific franchise spawned a number of spin-offs (Good Burger, Kenan & Kel, The Amanda Show) and launched the careers of several comedy mainstays: Kenan Thompson, Amanda Bynes, Nick Cannon, and Taran Killam.
Like Saturday Night Live (which would later hire Thompson and Killam), All That was a communal pop-cultural touchstone. The parents of ’90s kids had the Church Lady, “more cowbell,” and Roseanne Roseannadanna; the kids themselves, though, had Pierre Escargot, “Vital Information,” and Repairman Man Man Man, and we recited their catch-phrases to one another in the cafeteria and on the playground. Although All That was clearly designed as a SNL, Jr., of sorts, it wasn’t merely starter sketch comedy—it was an admittedly daring venture for a children’s network to embark on.
In its own right, All That was a weirdly subversive little show. It never explicitly crossed the line into “mature” territory, but it constantly flirted with the limits of FCC-approved family-friendliness. Take, for instance, the “Ask Ashley” sketch. A barely tween-aged Amanda Bynes (Seasons Three to Six), played an adorably wide-eyed video advice-columnist. Ashley (“That’s me!”) would read painfully dimwitted letters from fans with clearly solvable problems. (Example: “Dear Ashley, I live in a two-story house and my room is upstairs. Every morning, when it’s time to go to school, I jump out the window. So far I’ve broken my leg 17 times. Do you have any helpful suggestions for me?”) She would wait a beat, smile sweetly into the camera, then fly into a manic rage; emitting a stream of G-rated curses, always tantalizingly on the verge of spitting a true obscenity into the mix.
Read more. [Image: Nickelodeon]

theatlantic:

The Quiet Radicalism of All That

The ’90s were golden years for Nickelodeon. The children’s cable television network was home to now cult-classic shows like Are You Afraid of the Dark? (1991-2000), Clarissa Explains It All (1991-’94), The Secret Life of Alex Mack (1994-’98), and Salute Your Shorts (1991-’92)—arguably heretofore unmatched in their clever, un-condescending approach to entertaining young people. Nick News with Linda Ellerbee launched in 1992, and remains to this day one of the only shows on-air devoted to frank, engaging discussions of teen issues and opinions.

But perhaps the program that best embodied the values of Nick in those years was All That, a sketch-comedy show that premiered 20 years ago today. Created by Brian Robbins and Mike Tollin, All That ran for an impressive 10 seasons before it was canceled in 2005. The prolific franchise spawned a number of spin-offs (Good Burger, Kenan & Kel, The Amanda Show) and launched the careers of several comedy mainstays: Kenan Thompson, Amanda Bynes, Nick Cannon, and Taran Killam.

Like Saturday Night Live (which would later hire Thompson and Killam), All That was a communal pop-cultural touchstone. The parents of ’90s kids had the Church Lady, “more cowbell,” and Roseanne Roseannadanna; the kids themselves, though, had Pierre Escargot, “Vital Information,” and Repairman Man Man Man, and we recited their catch-phrases to one another in the cafeteria and on the playground. Although All That was clearly designed as a SNL, Jr., of sorts, it wasn’t merely starter sketch comedy—it was an admittedly daring venture for a children’s network to embark on.

In its own right, All That was a weirdly subversive little show. It never explicitly crossed the line into “mature” territory, but it constantly flirted with the limits of FCC-approved family-friendliness. Take, for instance, the “Ask Ashley” sketch. A barely tween-aged Amanda Bynes (Seasons Three to Six), played an adorably wide-eyed video advice-columnist. Ashley (“That’s me!”) would read painfully dimwitted letters from fans with clearly solvable problems. (Example: “Dear Ashley, I live in a two-story house and my room is upstairs. Every morning, when it’s time to go to school, I jump out the window. So far I’ve broken my leg 17 times. Do you have any helpful suggestions for me?”) She would wait a beat, smile sweetly into the camera, then fly into a manic rage; emitting a stream of G-rated curses, always tantalizingly on the verge of spitting a true obscenity into the mix.

Read more. [Image: Nickelodeon]

preludetowind:

Studio Ghibli films throughout the years

buffysin:

Willow: You can’t stop this.

Xander: Yeah.. i get that. It’s just, where else am i gonna go? You’ve been my best friend my whole life. World gonna end— where else would i want to be?

Willow: Is this the master plan? You’re gonna stop me by telling me you love me?

Xander: Well i was gonna walk you off a cliff and hand you an anvil, but it seemed kind of cartoony.

Willow: Still making jokes.

Xander: I’m not joking. I know you’re in pain. I can’t imagine the pain you’re in and i know you’re about to do something apocalyptically evil and stupid.. but hey, I still want to hang.. you’re Willow.

6x22, Grave

dr-archeville:

hufflepuffsquee:

dangerous-ladies:

escortcube:

You will address me as Captain or Ma’am by Ryoko-demon

It is so exceptionally hard to pull off that cartoony look, but this chick like… knocked it out of the park. Perfection.

OH MY GOD THIS COSPLAYER 





seriously JUST BROWSE HER GALLERY

Hollywood: “But we can’t make the costumes look like they do in the comic books or cartoons!  It’s too unrealistic!”
Me: “Lies!”
Hollywood: “It won’t look right!”
Me: “LIES!”
Hollywood: “Fans demand realism!”
Me: "YOU SIT ON A THRONE OF LIIIEEESSS!!!!!"

dr-archeville:

hufflepuffsquee:

dangerous-ladies:

escortcube:

You will address me as Captain or Ma’am by Ryoko-demon

It is so exceptionally hard to pull off that cartoony look, but this chick like… knocked it out of the park. Perfection.

OH MY GOD THIS COSPLAYER 

Untouchable by Ryoko-demon

Just follow your heart by Ryoko-demon

Crazy winter by Ryoko-demon

Where are You, Pikachu? by Ryoko-demon

My ferngully by Ryoko-demon

seriously JUST BROWSE HER GALLERY

Hollywood: “But we can’t make the costumes look like they do in the comic books or cartoons!  It’s too unrealistic!”

Me: “Lies!”

Hollywood: “It won’t look right!”

Me: “LIES!”

Hollywood: “Fans demand realism!”

Me: "YOU SIT ON A THRONE OF LIIIEEESSS!!!!!"

T.T

Johnny Rzeznik - I'm Still Here
12,401 plays

fuckyeahdisneysongs:

I’m Still Here - Treasure Planet

pesamientossuicidas:

Eclipse lunar 2014

pesamientossuicidas:

Eclipse lunar 2014